“One is livelier when they’re afraid or mortified!”
“The hair on the nape rises with a sharper thrill.”
“And the wind, the wind itself brings memories in a flurry, in a randomly woven fabric of misfortunes, gruesome reminisces and shameful recollections!”…
… Bellowed the televisor in front of Ralph, flashing images of soldiers trapped in combat; of helpless mothers pressing their children closer to them, awaiting the bomb. And of a solemn man with a melancholy face, hanging on the foot-board of a train, one foot let loose in the air, breaking into momentary snivels with each passing electrical post.
“The power of abject fear, of remorse and sadness itself is such that it forges a thick association with the person who undergoes the tribulations of such sentimental turmoil. They remember it much more vividly than any occasion of paramount glee. A violent, hot headed partner sends stronger chills, than any ideal lover can make one ticklish. Hence it is convenient to become fond, or in other words, a prey of demonic memories.”
The screen got cut off at this point with a static, and darkness spread out as a shrill whirring sound faded. Ralph’s face became tense but in a second, the booming sound of drums filled the room. On the televisor, a line of smartly dressed men walked single file. They were in dark blue uniforms, jaded around the collars, pockets and sleeves. Each had a gun tied around their waist in newfangled arsenals. But all of them wore the same expression of disregard for everything, but their servility to the man in front of the line.
“All the men! Take stance!” he shouted out. All the soldiers, in unison, taking the same angle of deviation, turned and faced the mesa to the west, where the sun was now descending. Dusk was still ripe, yet the light was going fast, as the eastern gusts brought grey clouds, tar-esque black on the fringes. The man in front of the line, broke away and tracing a geometrical path, walked along the monotonous, boring faces of his lapdogs.
Stopping at a young lad of about sixteen, with tufts of ginger hair and pock-marks across his cheeks, he stomped his left foot on the ground and retreated five paces behind. He drew his gun, and without word or signal or even the honour of a moment’s glance, shot him right in the chest and sent the instantly lifeless body, jerking into the ground.
The televisor then faded into an image of a luscious garden with a strong fledging tree. The fruits were big and seemed succulent. The sunlight in that garden was soothing, with a calm breeze and the view had a soul comforting pinkish tint. It would be the sort of ranch where you could start your own animal farm and live life peacefully forever after.
“Hopelessness or vilification of hope is as good as conveying a very strong message of accepting such a defeat, one that comes with no valour, pride or reprieve, but one that haunts with pain, servility and impotence. Why a mother trapped in a war torn region, awaiting the bomb, the tiny, trifle speck in the sky, draws strength to face the impending doom from hope. That is how she has the strength to clutch her children close to her, muttering a pointless prayer and enjoy the final cheerful moments with them, to ease them into death.”
Just around the tree, there are swivel chairs installed, that look upholstered for the greatest of comforts. A group of women enter and lounge on them. They chatter and giggle, albeit powerlessly and with a lack of vigour, uncharacteristic of the activity as conducted by the generations before them. Silence befalls the garden as a stinging whistle pierces through the otherwise magical land.
Old women, with faces strewn with contours and chins sagging for the absence of teeth enter with some complex equipment, enter. The head of this group, retrieves a packet, apparently containing some pills from her small purse. Now walking through the festoon of the younger women lounged varily on the said comfortable chairs, she hands each one half a tablet of the one milligram dose of ‘Lactation X’ chemical.
As the women submissively pop the pill, the other women rush to connect tubes to their nipples- part of a comatose body now- which are then collectively connected to a giant, monstrous metallic box, which makes a funny mechanical noise, as it vainly tugs away the milk from their glands. The camera cuts to a shot of a label on this mammoth machine. It reads “BABY”.
The televisor adds, “The women, unless a century ago ardently hoped for equal treatment in a society politically and a reality biologically- and unjustly so- dominated by men. And now they wallow as humanity’s servants, being in truth, an even part of it. Because all hope in them was forfeited.”
All the women fade into disappearance and the heavenly garden remains on the screen. Chirps of different birds form a melodious choir in the background, and a herd of young deers comes near the tree and runs about carefree.
“No matter how preposterous it may seem, the possibility of hope, it still breeds bravery in people. It helps us preserve our identities in face of extreme adversity. It is what keeps a mother alive, the hope of reconcile with her estranged son. The glimmer of hope, of a future prospect that takes a man out of narcotic vices. It is hope that keeps people together, in their blissful union, in a peaceful arrangement of mutual benefit. Hope the world doesn’t lose it.”
The screen faded to black and the televisor was automatically shut a few moments later. Ralph stayed put in his chair.
The room around was dark and solitary, lest for the mellow light coming in through the window at the back. A pot was kept near the window, one with a blithe design. Its radiance glowed in the background of mild light. The lone chrysanthemum in it, fluttered gracefully in the breeze.
Streams of penitent tears flowed down his cheeks. Ralph was sitting in a room at the “Psychology Aid for the Defeatists Center” in Hutchinson, a research town to maintain the balance between dystopia and anarchy.